A user is very exhausted by the situation he is in at the moment: a lot of (creative) chaos, construction sites, everything is very demanding. He knows that he should let go of all kinds of things, but he doesn’t know where to start. He asks the I Ching for advice and receives hexagram15 – Modesty as an answer.
After a phone call with her husband a user got stomach cramps and vomiting. And suddenly she had the answer in her head: “You have to get a divorce.” Since then she feels deep inner peace, contentment – and no resentment at all. When she later consults the I Ching, the answer is hexagram 15 – Modesty.
“Where does the poison in my life come from?” asks a user. “Does it come from the outside or the inside? What is the source of my blockages – and what is it that always gets me tripped up in the end?”
Hexagram 15 – Modesty shows a person who rests in himself, is self-referential and concentrated. His environment meets him with openness, with an observing attitude. Out of this calm and meditative attitude the person acts, full of inner peace, and simultaneously clear and determined. This triggers a change in the environment, which may take on a surprising dynamic. What exactly is the basic meditative attitude and the resulting action? In any case, it is not an action that is the result of cleverness of the mind. Rather, it has to do with presence, with being present in the here and now. The action itself can be small and unimpressive. But it is precisely the drop that will make the barrel overflow and thus trigger change. The pivotal point is therefore one’s own (mental) presence, which fades out all distracting thoughts or feelings (anger, fear, grief), concentrates solely on this moment and acts according to spontaneous inspiration.
Is something wrong here? And if so: what is it? A dynamic development ends unexpectedly with a reality check – why? Momentum is basically positive. It turns unpleasant if the autopilot takes control. Autopilot occurs when a situation’s dynamic no longer comes from our own interior, but is determined by external (eventually cultural) imprint. A reality check is quite beneficial: Do I really enjoy what is currently happening? Does it make sense? Does it corresponds to my very heart – or is it a copy of someone else’s life? The answers to these questions will lead to a decision. And probably you must let go of something: maybe the autopilot, which was in control until now? Continue reading “18 – work on what has been spoiled”
Sometimes our cool head is our last rescue: when things go haywire, when gut feelings go crazy. But maybe they are not going crazy, we just do not get the message they are telling us. A cool head helps – and points the way for our gut. Scans the darkness. Calms the turmoil. Continue reading “22 – grace”
Several users describe situations and questions regarding Hexagram46 – Pushing Upward:
One user describes his situation as follows: “In my family, it is all about success and competition. And I always was the loser, the problem. On the occasion of his new beginning and moving into his own, new apartment, he asks the following question: “Under what star will I be living in this apartment?”
A user writes: “About a year ago I met a man, who, like me, lives in a relationship. We understood each other extremely well and decided to be Platonic friends. But we both fell in love with each other. We were so naive.. My mind tells me: give him up! But it is hard to let somebody go you like so much. It all starts to hurt me.”
One user feels almost like pregnant with lots of different information which want to be put together into a meaningful whole. Her question to the I Ching: “How can this happen?”
Another user asks: “There is a lot of bullying at my place of work, even nice colleagues are affected. What should I do?”
A user asks the following question: “How can I act towards and with my art, get into a relationship with it?“ Again and again he found himself in conflict with his self and his art. How should he present himself and his art to the outside world without being identified exclusively through it or identifying himself with it too much? During the past years this dichotomy became so bad that he literally suffered from fear and panic attacks: of the expectations of others – and of his own expectations. He could make art only under immense inner pressure and in the meantime gained the insight that right at the very center of his creativity lies his worst (old) injury. All this stands in his way and hinders practicing his art freely and easily.